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1. Back to the Future: The Musical
at Adelphi Theatre, 木, 2 日5月 2024 - 日, 22 日12月 2024¥ 4,520
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2. ライオンキング The Lion King
at Lyceum Theatre, 木, 2 日5月 2024 - 土, 19 日10月 2024¥ 9,662
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3. Mamma Mia
at Novello Theatre, 木, 2 日5月 2024 - 土, 29 日3月 2025¥ 2,857
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4. Tina:ティナ・ターナーミュージカル
at オルドウィッチ劇場, 木, 2 日5月 2024 - 土, 31 日5月 2025¥ 2,432
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5. Moulin Rouge! The Musical
at Piccadilly Theatre, 木, 2 日5月 2024 - 土, 19 日10月 2024¥ 4,624
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6. オペラ座の怪人 Phantom of the Opera
at His Majesty's Theatre, 木, 2 日5月 2024 - 土, 29 日3月 2025¥ 5,766
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7. ウィケッド Wicked
at Apollo Victoria Theatre, 木, 2 日5月 2024 - 日, 1 日6月 2025¥ 5,766
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8. ミュージカル「マチルダ」
at ケンブリッジ劇場, 木, 2 日5月 2024 - 日, 25 日5月 2025¥ 4,624
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9. レミゼラブル Les Miserables
at Sondheim Theatre, 木, 2 日5月 2024 - 土, 29 日3月 2025¥ 5,766
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10. Frozen the Musical
at Theatre Royal Drury Lane, 木, 2 日5月 2024 - 日, 8 日9月 2024¥ 7,481
Similar categories
のチケット: Feeling Afraid As If Something Terrible Is Going To Happen
Feeling Afraid As If Something Terrible Is Going To Happen
The Edinburgh Fringe sensation transfers to the Bush for its first London run.
Fresh from sweeping critical acclaim at the Edinburgh Fringe - winning both a Scotsman Fringe First and The Stage Edinburgh Award - Samuel Barnett reprises his starring role in Marcelo Dos Santos’ ★★★★★ laugh-out-loud exploration of intimacy, anxiety and ego.
“I’m 36, I’m a comedian, and I’m about to kill my boyfriend…”
After years of swiping, a permanently single, professionally neurotic stand-up finally meets Mr Right - and then does everything wrong.
Strap in for a delightfully dark journey through self-awareness and self-sabotage as he decides whether love is worth the price of a killer punchline.
Feeling Afraid… is the “razor sharp” (Scotsman) hit play from the producers of the Olivier award-winning Baby Reindeer and the international smash-hit Fleabag, and is directed by Matthew Xia.
★★★★★ ‘Faultless execution is matched only by this audience’s thunderous, cathartic, cry-laughing response.’ FEST
★★★★★ ‘A masterclass in comic delivery’ WhatsOnStage
★★★★★ ‘The gag-count is ridiculously high’ Telegraph
★★★★★ ‘A masterclass in comic delivery’ WhatsOnStage
★★★★★ ‘The gag-count is ridiculously high’ Telegraph